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Monochrom-II, part 3
Monochrom-II, part 2
Monochrom-II, part 1
Monochrom analysis
M bodies choice
Leica T
M-A
X-Vario
X1
M
M Monochrom
S2
M9-Project 864
M8.2 and new lenses
M8
M7
MP
MP Revisited
M3
CM
R8
R9
R9+DMR
Leica Optics
28 mm lenses, part 3.1
28 mm lenses, part 2
28 m lenses. part 1
Apo-Summicron-M 2/50 ASPH
Summilux-M 21, 24
Summilux1.4/50 asph
Noctilux 0.95/50
Noctilux 1/50
Noctilux 1.2/50
Apo-Summicron-M 2/75 asph
Summarit f2.5 range
Summicron 2/50mm
TriElmar 4/28-35-50mm asph
ElmaritM 2.8/28mm asph
TriElmar 4/16-18-21 asph.
Digits on M lenses
Leica R-lenses
Summilux-M 35 FLE
Elmar-M 3.8/24 mm ASPH
SEM 3.8/18
Older M lenses
28 mm lenses, part 3.2
SEM 3.4/21
Optics general
optical design
Tolerances
Canon EF lenses
Canon FD lenses
Chromatic_aberrations
lens testing
Cosina glass lab
DesignerGeneration
Mandler
Technique
Exposure metering, Leica M-A
Flare issues
OECF, M and Monochrom
Leica CRF
Highspeed lenses
lens reviews
35mm format and digital
film plane register
size matters
Classical topics
digital negatives
Analysis
Simplicity 2008
Des Pudels Kern
M8:dust
Photography does not exist
Leica-Fortress
M: special models
How to choose a film-loading M
ChangingCharacter
Canon 5D
The 'digital' in photography 2008
Occam's razor 2008
This is the Question 2008
LeicaAngst 2008
LUP 2008
Changing_character-photography_2007
Barnack's smile 2007
Consumerism
Summarit lenses 2007
lens reviews
M Biotope
art of innovation
lost years
Leica DNA
photographic-trends
burden of history
Masterpieces
Film
Acurol-system
Spur Ultraspeed vario
Modern films and developers
Three modern developers
Heiland LED module
Heiland_Splitgrade
What-can-we-see-in-print?
Spur Nano Edge
Rollei ATP & Spur
Rollei ATP 1.1
Spur-DSX
TMax400New
CG512
Prescysol Pyro
Moersch Tanol speed
Modern slow speed films
BW-Tone reproduction
State_of_the_art_in BW
Resolution_of_fine-detail
Limit_of_BW_photography
save_the_Film_emulsions
Zeiss
OTUS 1.4/55 mm
ZM camera
ZM lenses
Biogon 2.8/21
C-Biogon 2.8/35 mm
Leica, Zeiss, Canon telelens
Contarex lenses
GDPR
Rangefinder
Views on the photographic universe by Erwin Puts
Notes